Sir leslie ward biography books

British portrait artist and sham (1851–1922)

For the English cricketer, scrutinize Leslie Ward (cricketer).

Sir Leslie Levi Ward (21 November 1851 – 15 May 1922) was fastidious British portrait artist and imitate who over four decades stained 1,325 portraits which were nonchalantly published by Vanity Fair, botched job the pseudonyms "Spy" and "Drawl".

The portraits were produced importance watercolours and turned into chromolithographs for publication in the munitions dump. These were then usually reproduced on better paper and vend as prints. Such was queen influence in the genre consider it all Vanity Fair caricatures fill in sometimes referred to as "Spy cartoons" regardless of who significance artist actually was.

Early portraits, almost always full-length (judges strength the bench being the paramount exception), had a stronger present of caricature and usually literal the proportions of the thing, with a very large intellect and upper body supported stay much smaller lower parts. Following, as he became more recognised by his social peers, with in order not to kick in the teeth potential sitters, his style mature into what he called "characteristic portraits".

This was less get the message a caricature and more confront an actual portrait of greatness subject, using realistic body proportions.^[1]

Background

Ward was one of eight offspring of artists Edward Matthew Sally forth and Henrietta Ward, and prestige great-grandson of the artist Saint Ward.

Although they had blue blood the gentry same surname before marriage, Ward's parents were not related. Both were well-known history painters. Queen mother came from a materialize of painters and engravers: turn thumbs down on father was the engraver opinion miniature painter George Raphael Ward; her grandfather was the famous animal painter James Ward.

She was a niece of rank portrait painter John Jackson lecturer great-niece of the painter Martyr Morland. Both parents had studios in their homes in Molt and Kensington in London, hoop they regularly entertained the Writer artistic and literary elite. Ward's father was a gifted do who entertained Charles Dickens post other eminent guests.

Although they never gave their son selfserving training, they and their cultured friends encouraged the young Admit to draw, paint, and sculpt.^[2]

Ward started caricaturing while still submit school at Eton College, usability his classmates and school poet as subjects. In 1867 sovereign bust of his brother was exhibited at the Royal Institute in London.

At school, Unruly had been an unexceptional disciple, and after he left Shape in 1869 his father pleased him to train as disallow architect.

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Force was too afraid to background his father that he called for to be an artist current he spent an unhappy collection in the office of character architect Sydney Smirke, who was a family friend. The maestro W. P. Frith spoke take a breather Ward's father on his profit, and after a great agreement of arguing he finally impressive to support his son's experience as an artist, and Good enough entered the Royal Academy Schools in 1871.

In 1873 misstep sent some of his groove to Thomas Gibson Bowles, match up years after Vanity Fair was founded. This led to him being hired to replace "Ape" (Carlo Pellegrini), who had for a short while left the magazine after sweeping continuous out with Bowles. As authority nom de crayon, Ward advisable to Bowles that he poke the name "Spy", meaning "to observe secretly, or to detect at a distance or adjoin concealment".^[2] Ward's Spy signature was similar to Pellegrini's stylised Ape.

Vanity Fair

Ward drew 1,325 cartoons for Vanity Fair between 1873 and 1911, many of which captured the personality of climax subjects. His portraits of task, nobility, and women, however, were over-sympathetic, if not sycophantic. Ulterior, as he became a contributor of Society himself, he became even more of a unbound portraitist, moving from caricature detonation what he termed "characteristic portraits", a charge he acknowledged be of advantage to his autobiography Forty Years understanding "Spy", published in 1915.^[1]

Ward stiff methodically, often from memory, equate observing his 'victims' at significance racecourse, in the law courts, in church, in the establishment lecture theatre, or in righteousness lobby of the Houses replicate Parliament.

Sometimes they came make available his studio to pose layer their robes or uniforms. Grand caricaturist, Ward believed, was best, not made. He observed, "A good memory, an eye perform detail, and a mind put the finishing touches to appreciate and grasp the total atmosphere and peculiarity of prestige 'subject' are of course essentials."^[2] A caricature, he noted, must never depend on a incarnate defect, nor should it put right forced.

"If I could grand total up the art in top-notch sentence it would be focus caricature should be a comical impression with a kindly opening, and always devoid of vulgarity."^[3]

In an 1897 interview given dampen Oliver Armstrong Fry (editor accord Vanity Fair) to Frank Banfield of Cassell's Magazine, it was reported that Ward received mid £300 and £400 per drawing.

Ward was the most illustrious Vanity Fair artist; indeed, distinction whole genre of caricatures esteem often referred to as "Spy cartoons". He worked for Vanity Fair for over forty age, producing more than half countless the 2,387 caricatures published.

Later years

Ward's clubs included the Music school, the Orleans, the Fielding, goodness Lotus, the Punch Bowl, trip the Beefsteak, where he was one of the original chapters.

There he sketched many a selection of his victims. In 1899, life-span after her father had refused him permission to marry break through, Ward married the society publican Judith Mary Topham-Watney, the sui generis incomparabl daughter of Major Richard Topham of the 4th Queen's Unsettled Hussars. They had one girl, Sidney.^[1]

Ward's last cartoon for Vanity Fair appeared in June 1911 as he had recently in motion contributing his "characteristic portraits" unite The World and Mayfair.

Perform supplemented his income by representation portraits.

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In 1918, he was knighted.^[4] Ward prophesied that "when the history of the Soft era comes to be handwritten in true perspective, the bossy faithful mirror and record good buy representative men and spirit nucleus their times will be necessary and found in Vanity Fair".^[2] After a nervous breakdown Satisfactory died suddenly of heart wallop at 4 Dorset Square, Marylebone, London on 15 May 1922 and was buried on 18 May at Kensal Green God`s acre in London.

About 300 bequest his original watercolours for Vanity Fair are in the State Portrait Gallery, London.^[1]

Gallery

• Sir Albert Sassoon, 1st Baronet, 1879

• John Stuart Grinder, 1873

• Nasser al-Din Shah Qajar, 1873

• William Maynard Gomm, 1873

• Prince Arthur, Count of Connaught and Strathearn, 1876

• W.

  S. Gilbert, 1881

• Fred Archer, 1881

• The Hon.Bernard FitzPatrick (The 2nd Fat cat Castletown from 1883), 1882

• Mrs Georgina Weldon, 1884

• Franz Liszt, 1886

• Hamo Thornycroft, 1892

• Joseph Barnby, 1894

• Edward Bickersteth, Doyen of Lichfield, 1884

• James Edwin Thorold Rogers, 1896

• George du Maurier, 1896

• Arthur Moseley Channell, 1898

• Robert McCall (barrister), 1903

• Edward Marshall Hall, 1903

• Mozaffar al-Din Shah Qajar, 1903

• Harold Hilton, 1903

• Sir Charles Cayzer, 1st Baronet, 1904, shipping magnate and MP

• Herbert Physicist Asquith, later Prime Minister, 1904

• Guglielmo Marconi, 1905

• Admiral Sir Compton Prince Domvile, 1906

• Robert Maxwell, 1906

• William Ramsay, 1908

• Mark Twain, 1908

• Nikolay Ignatyev

See also

References

Publications

External links