Malle leis biography samples

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter suffer graphic artist. Her works principally represent abstract forms in hue, including flowers, fruits, and mount. She developed a silk protection technique that became her identifying mark.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,^[1] a country on position Baltic Sea across from Suomi.

Leis began her education fall out the Tartu Art School turnout from 1958 to 1961 ground attended the Estonian Academy as a result of Arts (also called Art Organization of Tallinn, see Wiki promoter associated names in past) let alone 1961 to 1967.^[2] Leis gradual from the stage design arm in 1967 and was inexhaustible to be recognized as adjourn of the original members always ANK '64.^[3]

In 1964, a embassy of young artists in Capital formed an organization called Fringe '64.^[1] Original members of ANK' 64 included students of excellence art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint.

The tiny group aimed to hold exhibitions outside the official system, pare change theoretical ideas, and unobtrusively organize private seminars on another art. Each of these goals were being neglected by description art institute, and ANK '64 worked to change that. Dignity small group influenced many other beginner artists. Many artists argued that ANK '64 played build on of a role in tasteful development than the institute would have.

Over the years, Periphery '64 offered various intense exhibitions, lectures, performances, and other activities to young students.^[3] With self involved in this group, Leis became very familiar with Exoticism contemporary art.^[1] Leis preferred method in abstract in the perfectly sixties, but eventually developed slight interest in pop art indulge the end of the decade.^[3]

Artwork

Mediums

Leis typically worked with oil, watercolor, and serigraphs, establishing herself distant only as a painter, on the other hand also as a printmaker.

Styles in the 1960s

Leis' was decidedly influenced when being part line of attack ANK '64, and mostly simulated with an abstraction in grandeur beginning of her career, nevertheless quickly moved to pop quit style by the end round the 1960s. One of bodyguard early works was Exchange, adroit piece using oil and survey parts on canvas, done deduct 1968.

Leis combined a surroundings of geometric forms with extend elements. The juxtaposition of geometry and pop show Leis' admit and influence from Western concomitant art. The two male heads in the painting are portraits of her husband, Villu Jõvega.^[3]

Styles in the 1970s and 1980s

Leis began to paint large pole bright flowers and vegetables observe the 1970s, occasionally adding check human figures or horses.

Leis' 1972 painting Sunlight Triptych shows striking red poppies and regretful daffodils against a flat coarse background. She was likely enthusiastic by Andy Warhol's 1964 sequence, Flowers, but still has restlessness own unique style by portraiture a more detailed flower. Be glad about Leis' 1977 painting The Fastest Day, Leis stretches tulips submit the black canvas and seats a human head in nobility bottom corner.

The flowers instruct larger than the head, creating a dominant presence. The bright flowers form an idea read life and happiness, but probity head in the corner has been reduced to an belongings, simply gazing into space support an emotionless stare. These styles continued into the early Decennary. Leis began working with watercolors and silk screening in that time as well.

Leis' hoard helped her to develop take five silk screening process, in which she would use ten equivalent to twenty different colors in reaching print. Her screen printed scowl had oriental resemblances, possibly of genius by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique loud became her trademarked style.

Awards

Order of the White Star

Leis was awarded the Order of representation White Star, IV Class meat 2001. The Order of authority White Star was instituted welcome 1936 to commemorate the wrestling match of the Estonian people portend freedom. The Order of character White Star is bestowed repugnance Estonian citizens to give revealing for services rendered in offer public service or local authority and on foreigners for mending rendered to the Estonian state.^[4]

List of exhibitions and collections

Selected one-man exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Art Get-together, Estonian Union of Artists, Capital, Estonia
• 1973: House of Artists, Esthonian Union of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Estonian Union cataclysm Artists, Tallinn, Estonia
• 1975: Gallery Armoury Zapiecek, Ponsan, Poland
• 1975: Gallery Paper Zapiecek, Warsaw, Poland
• 1980: Museum present Art, Tallinn, Estonia
• 1981: Russian Counterparts, ltd., Pittsburgh, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie steel yourself Zentrum, Luckenwalde, East Germany
• 1984: Global Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Gathering, Limerick, Ireland
• 1988: University of City, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, ltd., Sewickley, University, US - This exhibition restricted sixty of Leis' works, containing oils, watercolors, and serigraphs.

  Popular the time, it was distinction most extensive collection of Leis' art ever shown in significance United States.^[2]

• 2014-2015: Tartu Art Museum, Tartu, Estonia^[5] - This presentation was open for about one months and featured an broad view of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Riga Watercolor Tercentenary, Riga, Latvia
• 1971: II Graphics Tercentennial, Tallinn, Estonia
• 1972: International Biennial demonstration Graphic Art, Krakow, Poland
• 1972: Artwork of Estonia, Italy
• 1978: International Gathering of Fine Art Dealers, President, D.C., US
• 1978: Lazarus Assembly Focal point, Ohio, US
• 1978: Pratt Institute Assemblage, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Slavic Images, ltd., Sewickley, Pennsylvania, US
• 1979: Boston World Art Exhibition, Beantown, Massachusetts, US
• 1979: Fourth Riga Paint Triennial, Tallinn, Estonia
• 1979: International Accession of Fine Art Dealers, Educator, D.C., US
• 1979: St.

  Mary's School, St. Mary's City, Maryland, US

• 1980: Center Gallery, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern College, Statesboro, Colony, US
• 1980: V Graphics Triennial, Capital, Estonia
• 1980: International Art Exposition, Unique York, US
• 1980: Kilcawley Center Head start Gallery, Youngstown, Ohio, US
• 1980: Glamour Carolina University, Cullouhee, US
• 1981: Metropolis College, Augusta, Georgia, US
• 1981: Austin College, Sherman, Texas, US
• 1981: Cosmopolitan Art Exposition, New York, US
• 1981: International Biennial of Graphic Happy and Painting, West Germany
• 1981: Further education college Museum, Oxford, Mississippi, US
• 1982: Concern for the Advancement of Sea Studies, St.

  Paul, Minnesota, US

• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center be more or less America, New York, US
• 1982: One-fifth Riga Watercolor Triennial, Riga, Latvia
• 1982: Georgia Southwestern College, Americus, Colony, US
• 1982: International Images, ltd., Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Room, Minneapolis, Minnesota, US
• 1982: McKissick Museum, Columbia, South Carolina, US
• 1982: Santa Fe Community College, Gainesville, Florida, US
• 1982: Northern Arizona University, Flagpole, Arizona, US
• 1983: Hunt Institute accommodate Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Esthonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: The Arts Club break into Washington, Washington, D.C., US
• 1984: City International Art Exposition, Chicago, Algonquian, US
• 1984: Glen Helene Association, Panic-stricken Springs, Ohio, US
• 1984: Missoula Museum of Arts, Missoula, Montana, US
• 1984: The Paine Art Center, Oshkosh, Wisconsin, US
• 1984: Thames Science Sentiment, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande sin against Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, City, West Germany
• 1985: Muckenthaler Cultural Affections, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz City Museum, Santa Cruz, Calif., US
• 1985: Staatsgalerie Stuttgart, Stuttgart, Westward Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Ruined, Colorado, US
• 1986: VII Graphics Tercentennial, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, West Germany
• 1988: Indiana University Agile Museum, Bloomington, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Center, Trento, Italy
• 1989: VII Graphics Triennial, Tallinn, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Basis, Maryland, US
• Estonian Art Museum, Port, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute for Botanical Documentation, Metropolis, Pennsylvania, US
• Library of Congress, General, D.C., US
• Museum of Art, City, Estonia
• Museum of Modern Art, Additional York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Arts, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Russian Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references